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    Construction[ edit ] Stradivari made his instruments using an inner form, unlike the French copyists, such as Vuillaumewho employed an outer form.

    It is clear from the number of forms throughout his career that he experimented with some of the dimensions of his instruments.

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    Scientists at National Taiwan University have detected trace amounts of aluminumcopperand calcium in wood from Stradivari violins. Potassium borate borax may have been used to protect against Woodworm. He reports that even when varnish is no longer visible to the human eye on the surface of older violins, it can be detected within the top layers of cells.

    A lower layer of varnish is found within the topmost wood cells while an upper rests upon the wood. Echard's findings also suggest that Stradivari used a mixture of common Cremonese resin, oil, and pigment as a varnish, rather than making his own.

    Echard did not find traces of specialized ingredients such as protein materials, gums, or fossil amber. These results suggest that differences in density differentials in the material may have played a significant role in the sound production of classical violins. A later survey, focused on comparing median densities in both classical and modern violin examples, questioned the role available materials may have played in sound production differences, though it made no comment on variations in density differentials.

    It was sold by the Nippon Music Foundation in aid of the Japanese earthquake and tsunami appeal. Vice magazine reported in May that "in recent years, Stradivarius investment funds have started to appear, pushing already astronomical prices even higher". Stolen instruments are often recovered, however, even after being missing for many years. They are difficult to sell illicitly as dealers will typically call the police if approached by a seller with a Stradivarius known to have been stolen.

    It was returned three weeks later by a woman who 'found it' and handed it over to the police. However, the many blind experiments from [33] [34] to the present as of [2] [35] [1] have never found any difference in sound between Stradivari's violins and high-quality violins in comparable style of other makers and periods, nor has acoustic analysis. The two violinists were allowed to play all the instruments first.

    None of the listeners identified more than two of the four instruments. Two of the listeners identified the 20th-century violin as the Stradivarius. One of Rhonheimer's violins, made with wood that the Empa Swiss Federal Laboratories for Materials Science and Technology researcher Francis Schwarze had treated with fungi, received 90 of the votes for the best tone, while the Stradivarius came second with 39 votes.

    The majority of the listeners misidentified the winning violin as the Stradivarius. None of them sounded substantially weaker than the others" [43] Modern violins were rated as having better sound-carrying qualities and were preferred again in a study in For example, Christian Tetzlaff formerly played "a quite famous Strad", but switched to a violin made in by Stefan-Peter Greiner.

    He states that the listener cannot tell that his instrument is modern, and he regards it as excellent for Bach and better than a Stradivarius for "the big Romantic and 20th-century concertos. Over the centuries, numerous theories have been presented — and debunked [1] — including an assertion that the wood was salvaged from old cathedrals. A more modern theory attributes tree growth during a time of global cold temperatures during the Little Ice Age associated with unusually low solar activity of the Maunder Minimumcirca toduring which cooler temperatures throughout Europe are believed to have caused stunted and slowed tree growth, resulting in unusually dense wood.

    After examining the violins with X-raysthe researchers found that these violins all have extremely consistent density, with relatively low variation in the apparent growth patterns of the trees that produced this wood. Croatian wood was traded by Venetian merchants of the era, and is still used today by local luthiers and craftsfolk for musical instruments.

    Some research points to wood preservatives used in that day as contributing to the resonant qualities. Joseph Nagyvary [54] [55] reveals that he has always held the belief that there are a wide range of chemicals that will improve the violin's sound. In a study co-authored with Renald Guillemette and Clifford Spiegelman, Nagyvary obtained shavings from a Stradivarius violin and examined them, and analysis indicated they contained " boraxfluorideschromium and iron salts.

    Steven Sirr, a radiologist, worked with researchers to perform a CT scan of a Stradivari known as the "Betts. The presence of a Stradivarius label does not confirm that the instrument is a genuine work of Stradivari.
    The Jolly Boys have the longest and most tangled history in the annals of mento, and are still going strong. Some accounts have the beginnings of the Jolly Boys dating back to the s.

    In winter ofErrol Flynn purchased Navy Island. For the next decade it became the staging point for his unending party that is today the stuff of legend. The earliest photos and most complete information on a Jolly Boys line up comes from Gloria Aspinall of the US more on Gloria and her book appears later on this page. She has kindly contributed the above photo, circaand remembers the Jolly Boys line up in the s as being: Moses Deans - banjo and guitar, and the group's founder David Martin a.

    In Gloria's second photo, below, which she dates as being from the early s, Gloria recognizes Moses, Brown, Johnny and probably Sonny, though this is not certain, as he looks heavier than she remembers.

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    They are performing in the back of a truck advertising a charity raffle to win a Ford Anglia. Here is an advertisement from The Daily Gleaner of July 17, for a calypso band contest.

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    The Jolly Boys represent Port Antonio. Less familiar names represent other parts of Jamaica. Meanwhile, we also learn from Dan Neely's article, of a Jolly Boys off-shoot group and how another key member was recruited: The Mockingbirds was generally led by Allan Swymmer.

    It was Moses who later pulled Powda into the band. Late s - Again, from Dan Neely's article: One of the dance troupes the Jolly Boys very often performed with was led by Albert Minott, a young man of extraordinary talent. Albert specialized in hand-walking and fire eating, and impressed his audiences with his daring feats, but he also loved mento music.

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    This included a six month stint, filling in for a sick member. It would take almost 50 years, but Minott would be promoted to The Jolly Boys' lead singer in It all began when I ran away as a boy in My father was very very strict and he used to beat me with a thick leather strap.

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    One day I'd been playing cricket and forgot the time. I knew I'd have the strap and have it hard so I ran away. When I was 12 to get by I used to pick bananas cut cane and hang out by the cruise ships and shout to the tourists: Then a friend taught me how to be an acrobat and we used to walk on our hands do somersaults and do the fire dance to earn money from the cruise ships that came to Port Antonio.

    Then 12 years ago I came and started singing and playing the guitar with them. We used to see Errol Flynn all the time. He came to Port Antonio in the early 50s and lived on his boat Zaca with his wife Patrice.

    The boys used to row up on a boat and play for rum and a few dollars. He loved The Jolly Boys. That was the big rumour yeah man [that JFK came surreptitiously with Marilyn Monroe] but it was all a secret. From here, the trail gets a bit hazy.

    But these reggae recordings were apparently by another group using that name. Roots Knotty Roots also lists five Jolly Boys singles released from that were produced by Harry Mudie, an example is seen to the right. There was at least one more than that. These tracks are, once again, reggae, not mento, and it is very unlikely that any of these releases to have anything to do with the mento group by the same name.

    Dan Neely's article tells us that because it was for economic reasons rather than a falling out, both Jolly Boys bands remained on good terms. Swymmer's group moved to St.

    He and and another singer, Dee Davidson, both served as lead vocalist. They recorded singles and two LPs. Moses' group does not appear to have recorded. The first true Jolly Boys recording was the single that consisted of two original songs, produced by Allan Swymmer: Below is the single, released on The Jallyboys label. Both sides are credited to Donald Davidson and The Jallyboys. When this 45 was released in Great Brittan, on the Fab Records label, as seen to the right, the songs were credited to Allan Swimmer and to Dee Davidson, with the words Jolly Boys totally absent from the label.

    Inthe Jolly Boys released their second singe: Allan is, no doubt, Allan Swimmer, but it's a mystery who Pinky is, unless it's an additional nick name for Donald "Dee" Davidson. Both songs are sung duet style. The A-side also was collected on the The Roots of Reggae album. Jamaican folk song "John Tom" was neither collected nor remade by this band. Thanks to Jeremy Collingwood www. Although some of the details are murky, Ken believes that the two Jolly Boys line ups both may have come from the original line up: When I recorded the group in the 70s the first recording I made of them was init appears there were two groups of the same name existing and performing at the same time Ann, the other in Portland the parish where Port Antonio is located.

    Donald Davidson was then head of the group in St. The common link between the two appears to have been Alan Swimmer, who participated in some of the singles recorded in the early 70s, which also featured Donald "Dee" Davidson. Swimmer, however, was not present in St.

    Ann when I recorded that group. So it is likely that both the St. Ann and Portland bands are connected to the original Jolly Boys. Some members from both were probably once together in the same band, and then at some point split up, both keeping the original name. In any case, by the s, the Port Antonio group had more members from the original band, since they had some older musicians and at least one founding member, Moses Deans.

    Regrettably, it has been out of print for some time. This LP is the start of the international resurgence in mento's popularity. Ironically, Ken Bilby explains that the international market was not the original intent for this LP. The idea was that they would be able to sell copies to guests at a hotel called Club Caribbean in Salem, St.

    Ann, where they had a regular gig. When I returned to Jamaica inI brought them a few copies of the LP, along with the cash advance for the record. They were very excited by the final product. We all met with the manager of the hotel, who was excited too, and very much in favor of selling it on the premises.

    He tried to import several hundred copies, but the plan ended up failing because of the import restrictions and heavy tariffs then in effect. There appeared to be no way to get around the problem. This is why the band then went into the studio and locally produced an LP for themselves [The Jolly Boys At Club Carribbean, described below] so that they could sell it out of the hotel.

    It's a rural mento collection originals, mento classics and two reggae covers. Unlike later releases from the mento resurgence, which were relentlessly upbeat, this LP features a number of tracks that are quite mournful by comparison. This is not meant as a criticism, as these tracks are no less enjoyable.

    The line up and track listing of this LP and cassette, as seen above, right is as follows:
    The core cultural precinct containing the internationally famous Market Theatre, Museum Africa and numerous dance and music venues straddles the historic Mary Fitzgerald Square.

    The precinct can be divided into the Market Precinct located north of the square which is dominated by the Market Building - home to the Market Theatre and Museum Africa. The south and northbound M1 freeway overpass dissects Newtown and adjacent Fordsburg in the west, while the railway lines to the north mark the border between Newtown and Braamfontein.

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    In the plans for Newtown the strict grid pattern of the CBD has been adopted. This involved formalising the townscape, developing infrastructure and strictly enforcing racial segregation.

    Map of Johannesburg dated in which the Brickfields can be identified. Milner retired as High Commissioner in From to he played a prominent role in British politics. He was a strong proponent of British Empire Federalism and in became Town Clerk of Johannesburg, where he initiated a number of reform projects to modernise the administration of the City.

    Under his administration electrical tramways were introduced to replace horse-drawn trams. Curtis also played a prominent role serving on the Johannesburg Insanitary Area Improvement Scheme Commission and was a proponent of the clearance of Brickfields in favour of the redevelopment and industrialisation of Newtown.

    Collectively the Arc incorporates four theatre complexes, various dance studios, live music venues, significant museum and art collections, historic sites and monuments, as well as a year-round programme of cultural events.

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    Since a number of public artworks have also been installed in Newtown and Braamfontein. Almost from its founding, Johannesburg developed a reputation for raucous nightlife and entertainment of an often illicit nature sparking ZAR President Paul Kruger to refer to Johannesburg as a "den of iniquity".

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    BeforeJohannesburg boasted four theatres: Sadly, none of these remain today. The Globe theatre, built inwas the first permanent entertainment venue but was destroyed in a fire after only six months of operation. A new theatre, the Empire Palace of Varieties or The Empire for shortreplaced the Globe on the same site corner of Fox and Ferreira streets in present-day Marshalltown.

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    The Johannesburg Art Gallery is located in Joubert Park which remained a fashionable neighbourhood until the s — and today includes cultural institutions such as the Johannesburg Art Gallery and the Drill Hall. As African migrants flocked to the gold fields, a distinct musical culture developed in the shantytowns and mine compounds. By the s Marabi was well established as a unique blend of African and European musical styles and set the foundations for a musical tradition that would develop over the course of the next century - culminating in the great jazz period of Sophiatown in the s and 50s.

    During the s Commissioner Street was the main entertainment strip of Johannesburg with its theatres, cinemas and other venues. In the s the Union of South African Artists established Dorkay House in the CBD which by the 60s had become a notable cultural institution for music, art, drama and dance.

    For many years — closely associated with artist Cecil Skotnes — the centre was a major gathering space for African artists. In the s the centre was closed due to apartheid restrictions which banished black cultural institutions to townships. In the s, 60s and 70s cosmopolitan Hillbrow with its eclectic community became the focus of night-time Johannesburg, or a "white Sophiatown".

    The s also saw the construction of the Civic Theatre recently renamed the Joburg Theatre in Braamfontein - with the University of the Witwatersrand theatre and the Alexander theatre built in this consolidated Braamfontein as a theatre district. Black artists who remained in the country were mostly restricted to the townships, with the result that Soweto and Alexandra developed strong arts and cultural communities.

    Sadly, the building was gutted by fire in Newtown also provides an understanding of how wider industrial and political forces came to disrupt and destroy poorer communities from racially mixed backgrounds — sometimes carried out in the name of urban regeneration while essentially serving colonial and apartheid racial policies. Equally significant, the suppression of labour rights became a recurrent theme in the history of Newtown.

    Early Johannesburg became home to many slums as people flocked to the city only to be met by an acute housing shortage - a shortage that would last for more than a century and is still present in contemporary Johannesburg. In Brickfields, early Johannesburg had one of its worst slums. Although these slums were racially integrated, some communities in particular stand out: The presence of industrial and commercial functions, however, would also mean that Newtown became a focal point for many of the industrial strikes witnessed by the City during the first half of the 20th century.

    During the Second World War, manufacturing in Newtown was even redeployed to support the war effort. The decline of Newtown from the mid 20th century came about as a result of several factors, including the waning significance of the Jeppe Street Power Station decommissioned inthe closure of the tram lines decommissioned from the late sthe construction of the freeway system in the s, the relocation of the Market to the new Fresh Produce Market in City Deep in the early s as well as apartheid racial legislation and the forced removal of communities from the inner city, Fordsburg, Pageview, Vrededorp and elsewhere which effectively deprived Newtown of a vibrant community.

    The decentralisation of commercial activity to suburban malls and commercial areas like Randburg and Sandton also impacted on trade. Yet the decline also spurred the artistic community to take an increasing interest in the landmark structures of Newtown.

    Accounts of Newtown often leave out the eclectic mix of architectural styles, including Victorian, Edwardian, Beaux Arts, Art Nouveau, Art Deco, modern and international, post modern and contemporary architecture.

    A Short History of Newtown Origins 'I come from the newly discovered goldfields at Kliprivier, especially from a farm owned by a certain Gert Oosthuizen I have a long experience as an Australian gold digger, and I think it is a payable goldfield. Of course the history of the area stretches back much further than the early and midth century and the arrival of the first European explorers, missionaries, traders and subsequent generations of settlers and diggers.

    While no known traces of either Stone or Iron Age habitation have been found in and around Newtown, major settlements from the Iron Age are known to have existed close to modern-day Johannesburg and the remaining vestiges of some of these sites can be visited at Melville Koppies and Klipriviersberg. The discovery of gold in the s and the subsequent building boom that followed drew hundreds of miners — to be joined by traders, adventurers and a displaced rural peasantry seeking fortunes and employment.

    As the town known as Johannesburg formalised into a cosmopolitan centre, workers — both black and white and almost exclusively male — flooded in. As a result of the perpetual shortage of accommodation, slums soon developed around the Fordsburg area. Brickfields 'Let no one attempt a midnight exploration of the Brickfields without a lantern which is guaranteed to throw a light for yards distant, otherwise the chances are that he will not leave that district alive The houses are all right and gardens kept in good order.

    I went down as far as the reservoirs, top one empty, lower one full. The Brickfields are a sight. Quantities of bricks set out to dry, some burnt, all work stopped. Adlam during the South African War - ' Narrow courtyards, containing dilapidated and dirty tin huts without adequate means of lighting and ventilation, huddled on an area and constructed without any regard to sanitary considerations of any kind.

    In the middle of each slop-sodden and filth-bestrewn yard, there is a well from which people get their water supply and they choose this place for washing purposes and urinals.

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    These places are dark dens. In the community lobbied the ZAR government of President Kruger for the right to manufacture bricks on government land bordering the Braamfontein spruit.

    As Brickfields and the adjoining areas of Fordsburg, Vrededorp and the Indian location grew, these mixed slums became known as Poverty Point. Between and 98, at which point Brickfields was already home to an estimated 7 people, it became necessary for the City to expand its railway capacity. Between and 98 when the last brickmaking activity ceased in the area, a concerted effort was made by the railway company and the Sanitary Board to get the government to cancel the brickmaking concessions and to relocate the brickmakers elsewhere.

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    The Great Dynamite Explosion 'Half of Fordsburg is practically laid low, and the native locations are simply a heap of iron. The blast caused by a train accidentally ramming into trolleys packed with 55 tons of dynamite could be heard in Klerksdorp km away.

    The resultant crater was 61 m long, 15 m wide and 8 m deep and claimed the lives of an estimated people. In the aftermath, most displaced residents moved into adjacent areas unaffected by the explosion. Heyday 'Newtown had become the home of many Litvak retail and wholesale merchants and grain brokers who came to work and competed with one another, and here they formed a subculture with its own idiosyncrasies - jokes, special events and, most importantly, the 'University of Newtown', which awarded a fictitious certificate to all those entrepreneurs and millers who learnt the grain trade on the job.

    Following the destruction of the Indian location and the formation of the Union of South Africa inNewtown in the s and 20s became the first area in Johannesburg to be given industrial status.

    Decline 'The state had developed a whole arsenal of laws to help it achieve the unimaginable: From the early s, various proposals were made for the redevelopment of Newtown.

    However Newtown continued its steady decline when the power station closed down and the cooling towers imploded in During the s many key sites and buildings such as Turbine Hall were invaded by the homeless, while open areas next to the railway lines saw the rapid rise of informal settlements.

    Crime and grime became an increasing problem. As the area technically fell outside of the official mining camp the location was largely neglected by the authorities but provided easy access to town and, as a result, attracted a racially diverse population of a mostly lower working-class background. Over the next decade the adjacent areas of Fordsburg, Vrededorp, Burghersdorp and the Brickfields became in effect co-joined multi-racial slums - sparking a series of health concerns for the authorities.

    The destruction of the 'slums' was purportedly carried out in response to an outbreak of bubonic plague which had resulted in 82 deaths in the same year. This outbreak also led Mahatma Gandhi to establish an emergency hospital on a vacant stand in the area where he treated 14 patients. Inafter the clearance of the Indian Location, Joffe Marks, owner of Marks Limited, bought property in the newly-declared Newtown.

    Fordsburg 'I grew up in the s, in a suburb called Fordsburg, located on the western edge of the City. There were even safe places in which to play truant from school. Under apartheid the large Indian community was constantly at risk of forced removals. Fordsburg has, however, remained a centre of Indian culture. Newtown - Soweto 'It is an interesting historical fact that Gandhi was in Johannesburg at the foundation of such places as Soweto Pimville and Kliptown — the story of the development of these communities is linked to the destruction of the mixed Coolie Location in As a result, the displaced African, Indian and Cape Malay communities were relocated to Klipspruit Farm 25 km to the south-west of the City.

    Pimville, as the settlement became known, formed the nucleus around which Soweto would grow over the next years. By the s it was already struggling to keep up with demand and by the Orlando Power Station in Soweto came into operation to handle some of the additional burden.

    Known as 'Cantonese Quarter' or 'Chinatown', this historic area is located in Ferreirasdorp, south of Newtown. Adjacent to this is the United Chinese Club building designed by German architect, Wilhelm Pabst, and completed in This is considered a landmark Johannesburg building of great architectural significance.

    Chinese indentured labourers Following the South African War, thousands of indentured Chinese labourers were brought to the Rand to work on the mines. Many were subject to horrific abuse. The workers returned to China in and as a result of political opposition and repeated protests by the citizens of Johannesburg against their presence. Wilhelm Pabst — Pabst was born in Germany and educated in Berlin where he worked with leading modernists including Mies van der Rohe.

    The United Chinese Club building in Commissioner Street is one of his key projects and is considered an architectural landmark. Ferreirasdorp Ferreirastown Ferreirasdorp or Ferreirastown was one of the first mining camps that sprung up at the time of the discovery of gold in the s.

    It was named after Colonel Ignatius Philip Ferreira who set up a prospectors' camp prior to the official proclamation of the Reef as mining land. The camp was named Ferreiras Camp. Later, the area was home to a large coloured community and in a site was set aside for a church St.

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    The original wood and iron structure was replaced by the present structure built in and designed by architect Frank Fleming. In the s, under the Group Areas Act, the coloured community was forcibly moved.

    Colonel Ignatius Philip Ferreira — Speculator and early Johannesburg pioneer, Ferreira participated in the diamond and gold rushes of Kimberley, the eastern Transvaal and finally the Witwatersrand where he formed the Ferreira Company syndicate and the Ferreira Gold Mining Company.

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